Moreover,
in his old age he learnt to play the lyre, declaring that he saw no absurdity
in learning a new accomplishment.
Diogenes
Laertius, Lives of the Eminent
Philosophers
Like
Socrates, I see no absurdity in taking up the guitar in old age. Not
necessarily to learn or to accomplish something “new.” Certainly not to master
the instrument sufficiently to play to an audience—heavens, no! (Performance
anxiety, and I don’t think I’d get anywhere near the ten thousand practice
hours necessary for minimal expertise.) Not really playing as a hobby, either,
quite, to pass time in my retirement, though it will do that, mark time and
even keep it. Nor as some AARP-recommended cognitive aid to stave off dementia.
Rather, I strum and pluck about in hopes that music—that ineffable vibe—reveal
something about itself to me, particularly my own generation’s popular music,
which was dominated by the guitar. And reveal something perhaps about my self
and my sad song preferences.
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Photo credit: K. Sylvie Moon
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Just
as live music provides a thicker experience than recorded music, striking a
chord as opposed to hearing or
watching a chord played live, crafting that
sound, alone, at home, connects one tactilely and kinetically to this great
acoustic mystery of life in a post-rock and roll generation, a rhythm and blues
universe: how does sound do that? Enchant? Neuroscientists and evolutionary
psychologists, even musicologists, last I looked, don’t have a very good answer
to this question, partial at best, and I have my doubts that it can be
explained in language in any but the most general terms. Still, one must ask,
and it is best researched manually, at the fingertips in a single subject
study. Which, consider me now doing.
Among
my early findings is that my lifescore, I think, has something to do with A
minor, maybe the key, definitely the chord, which shows up in every song in my
top ten, or almost every, though never in the first position, always shifted
to, from almost everywhere else on the fretboard, melancholonizing all, more than
just a bit, to the very edge of despondence, yet not despair. Hammering down on
the second string.